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Videoinsight® Prize 2026

Videoinsight® Prize 2026

Irene Balia (Iglesias, 1985) is the winner of the Videoinsight® Prize 2026 with the work “Mezz’ombra” (acrylic on canvas, 150 x 100 cm, 2025–2026, Videoinsight® Collection).

The prize — promoted by the @videoinsightfoundation, established in 2010 and now in its sixteenth edition — recognizes and champions artistic practices that foster health, care, longevity, and psychophysical well-being. The work “Mezz’ombra” fully embodies the mission of the Videoinsight® Foundation – ETS: it transforms the aesthetic experience into a therapeutic and evolutionary process; it engages with the most intimate and latent aspects of human experience; and it sparks immediate emotional resonance, insight, and profound inner integration in the viewer.

The piece stood out for its extraordinary narrative delicacy, psychological depth, and the unsettling power with which it explores the “shadow zones” of the psyche and emotional memory. Through refined visual exploration, the allure of magical realism, and the evocation of ritual, the Artist constructs a space suspended between light and semi-darkness — a space that becomes a mirror for the complexities and transitions of the human soul. With an intimate and vibrant painting style, she investigates the human figure, domestic space, and the dynamics of emotional and romantic relationships. The depicted subjects appear suspended in time; their presence invites the viewer to engage in processes of identification and projection. The painted surface becomes an emotional mirror where the observer is invited to explore their own lived experiences, triggering inner insights and resonances. The imagery inhabits a suspended, captivating realm where it transforms into formal synthesis, dreamlike atmosphere, and profound psychological inquiry.

The perspective on relationships is dispassionate and ironic; the narrative, mysterious. Everyday life is recast in a dreamlike dimension: domestic reality and human figures are not rendered as realistic portraits but are reimagined through a subtly surreal filter. Interiors, subjects, and botanical elements serve as theatrical backdrops for an internal narrative, where the ordinary takes on an ambiguous, evocative, and elusive quality.

The painting favors a minimal, two-dimensional structure; boundaries are fine, and forms are defined by clean, sharp, delicate lines, while fields of solid color precisely delineate volumes and background. Emptiness and visual reduction are not mere absences but substantive elements charged with emotional tension and silence. Through a carefully chosen palette — featuring saturated, refined application and rich, dense colors — the Artist creates an atmosphere of seemingly calm enchantment that conceals underlying psychological unease and tension.

The interplay of light and shadow stages the duality of human experience: the visible and the unconscious. The figures appear enigmatic, indecipherable, ambiguous, and unsettling, often veiled by a cloud of smoke. The scene — almost shamanic and elusive at first glance — disorients the viewer yet simultaneously conveys trust and hope.

“There are moments when the path grows dim, the air thickens with smoke, darkness erases our bearings, and fog blurs even the outline of the person beside us. In such conditions of obscurity and disorientation, the instinctive urge is to halt — to perceive the obstacle as a deprivation or an injustice of fate. Yet, it is precisely when the visible landscape fades that a different kind of vision awakens. When sight no longer suffices, a relationship — whether born of love or the act of helping—ceases to be a mere presence and transforms into a vital support structure.
In the apparent void created by uncertainty, the human bond becomes the soil where meaning takes root.Despite the hostile environment, authentic closeness and mutual care allow unexpected fruit to emerge—bringing to light a treasure that would have remained invisible in the full clarity of day. The treasure is never the absence of fog, but the discovery of what we are capable of creating and cherishing as we pass through it. In this process, an impediment ceases to be a mere hindrance and reveals its deeper nature: every obstacle is a benefit. Obstacles do not arrive to halt life, but to compel it to change form—to move beyond the surface and delve into the depths.
Fog and smoke force us to slow down, to listen, and to tune in to more intimate, subtle frequencies. They dampen background noise and compel us to seek out the essential.
They teach us that fragility is not the end of the road, but the fundamental condition for accessing true strength; that it is the very resistance of the soil that allows the seed to break open and give life to the plant. In the helping relationship and in love, the shared hardship thus transforms into a catalyst for change. The ordeal does not erase the value of the experience; on the contrary, it protects, matures, and enriches it, reminding us that the purest light is not the one that illuminates a path already paved, but the one we manage to kindle together within the night.” Rebecca Russo

Sebastiano Sofia

@videoinsightfoundation has acquired the work “Self-portrait with stoma” (oil on canvas, 100 x 60 cm, 2026) by Artist @sebastiano_sofia for the Videoinsight® Collection. The piece was part of the group exhibition “Caregiver,” curated by @rebeccarusso.videoinsight and promoted by @videoinsightfoundation at @magazziniartecontemporanea in Trapani (July 29 – August 29, 2026).

“This self-portrait stems from the experience of having a stoma — an event that radically transformed my relationship with my body. For months, caring for myself meant performing simple yet essential daily actions: cleaning, dressing the wound, observing, and accepting. It was a ritual defined by fragility, patience and listening. Yet, this act of #care was not merely physical; it was also a mental and emotional exercise — learning to inhabit a changed body and confronting fear, shame, and uncertainty. I did not walk this path alone. The presence of those who stood by me —d octors, nurses, family, and friends —reminded me that #takingcare is always a relationship, a shared act. This painting was born from that experience: it tells the story not just of a wound, but of the possibility of rediscovering a sense of tenderness toward one’s own body, even when it seems to have become a stranger.” Sebastiano Sofia

Sebastiano Sofia’s work is distinguished by a fluid, organic, and evocative painting style, in which the human figure dissolves into metamorphic forms. The application of paint is liquid and layered. Body contours are never sharp or rigidly defined; instead, they appear soft — almost gelatinous or membranous — reflecting the fluidity of the body’s interior and the mutable nature of flesh. In Self-portrait with stoma — an intimate, visceral self-portrait — the artist confronts the complexities of the vulnerable body, the nature of #care, and the reclamation of bodily identity. He lays bare his physical and psychological state regarding the presence of a stoma — a permanent or temporary anatomical alteration that radically transforms one’s relationship with their own body. Sofia’s palette employs organic and flesh-toned hues: shades of pink, visceral reds, pale blue-whites, and areas of warm or earthy shadow. The color is not descriptive in a realistic sense, but rather emotional and sensory. The atmosphere is suspended in time, hovering between the dreamlike and the clinical-anatomical realm. The figure seems to emerge from or sink into the background, creating a sense of privacy that is simultaneously violated and embraced, where the delicacy of the brushwork softens the impact of the medical condition on display. His painterly exploration transforms biological fragility and the mark of illness into an act of pure visual poetry. The work aligns with the primary objective of Videoinsight®: using painting as a psychotherapeutic tool to bring deep inner insights to the surface.

Within the context of the Caregiver exhibition — created to explore concepts of care, dependency, empathy, and physical and emotional support — the painting acts as a bridge between two dimensions:

  • the body as a site of care: the stoma ceases to be a mere clinical detail and becomes the conceptual focal point of the work, a symbol of human vulnerability and the need for acceptance;
  • the act of self-caregiving: even before receiving care from the outside, the figure is immortalized in the act of managing, observing, and inhabiting their own condition.” Rebecca Russo

M45 artspace, Munich

Rebecca Russo, Art Collector, Videoinsight® Foundation President, Videoinsight® Center Director, Videoinsight® Advanced Course Professor,
in collaboration with Hajo Bahner, Tilmann Krumrey and Marian Dörfler, created a new Art Space in Munich downtown, in Mullerstrasse.
The name is M/45 artspace.
It is the first Trafopark Foundation‘s platform: a multifunctional center, a living art lounge, an experimental observatory, a creative laboratory for stimulating integration, innovation, learning, education and evolution. Art Videos with High Psychological Impact from the well-known Videoinsight® Collection are shown to the audience in M/45 artspace, according with the Videoinsight® Concept,for the Promotion of Well-being.
Art Program includes videos by international artists:
Nathalie Djurberg, Hans op de Beeck, Keren Cytter, Victor Alimpiev, Laure Prouvost, 
Katarzyna Kozyra, Kate Gilmore, Ragnar Kjartansson, Ali Kazma, Niklas Goldbach, Ivan Argote, Koki Tanaka, Marcello Maloberti, Marzia Migliora, Michael Fliri, Ulla von Brandenburg, Regina Jose’ Galindo, Ursula Mayer, Beatrice Pediconi, Ottonella Mocellin & Nicola Pellegrini, Petra Lindholm, Eulalia Valldosera, Vyacheslav Akhunov, Said Atabekov, Tobias Zielony, Tilmann Krumrey, Larissa Sansour, Maria Josè Arjona, Sophie Whettnall, Julika Rudelius, Agnieszka Polska, Vlatka Horvat, Fatma Bucak, Masbedo, Goldiechiari, Erdem Tasdelem, Vladimir Houdec, Cheryl Pope, Alice Cattaneo, Anetta Mona Chisa & Lucia Tkacova, Aya Momose, Beatriz Millar, Burku Gokcek, Canan, Driant Zenely, Edson Luli, Elena Kovilyna, Emilia Faro, Entang Wiharso, Farniyaz Zaker, Jhafis Quintero, Mary Sue, Melati Surjodarno, Naufuz Ramirez Figueroa, Nezaket Ekici, Noa Gur, Polina Kanis, Shana Moulton, Ra’ di Martino, Sissi, Taus Makhacheva, Tejal Shah, Hiwa K, Janet Biggs, Vlad Nanca and many more.
All Videoinsight® Art for Care Programs for Promotion of Health, Wellness and Quality of Life are imported from the Videoinsight® Center to M/45 artspace.
M/45 artspace starts its activity on April 2015.

M/45 artspace Mullerstrasse 45
Munich Germany
www.m45artspace.de

m45_logo

M45 artspace, Munich

Schermata 2015-04-16 alle 21.51.02
Schermata 2015-04-16 alle 22.04.35
Schermata 2015-04-16 alle 22.05.04

A new art space is born in Munich downtown. The name is m45 artspace.
The address is Müllerstrasse 45/2. It starts with an Opening Week on April 22 – 26, 2015.

M/45 artspace is a multifunctional center, an experimental observatory of artistic and cultural experiences, a creative laboratory for stimulating innovation and evolution.

Videoinsight® Foundation, non-profit organization for the Promotion of Well-being through the integration of Contemporary Art, Psychology and Medicine, shows in M45 Art Videos from the well-known Videoinsight® Collection: a selection of Contemporary Art with High Psychological Impact and Psycho-diagnostic and Psycho-therapeutic potential.

The Art Program includes videos by
 international famous artists: Nathalie Djurberg, Hans op de Beeck, Keren Cytter, Laure Prouvost, 
Katarzyna Kozyra, Kate Gilmore, Marzia Migliora, Ursula Mayer, Beatrice Pediconi, Eulalia Valldosera, Vyacheslav Akhunov, Said Atabekov, Tobias Zielony, Larissa Sansour, Maria Josè Arjona, Sophie Whettnall, Julika Rudelius, Agnieszka Polska, Vlatka Horvat, Fatma Bucak, Erdem Tasdelem, Vladimir Houdec, Cheryl Pope, Masbedo, Goldiechiari..