April 2016

Videoinsight® Magazine 2016|4

Videoinsight® Magazine 2016|4

Videoinsight App® for Iphone and Ipad

Language Innovation, Scientific Publication and Free Enjoyment of Videoinsight® Method

The belief of Rebecca Russian in art as a possibility of cognitive, social and relational innovation flexibof the method Videoinsight®, designed by herself, within the dynamics of contemporary communication, have driven the Foundation to the development of new ways of disseminating information, related, from time to time, to education, therapy, prevention and exploration of the links between aesthetics and science, sports, professional education.
New Videoinsight® Application for Iphone and Ipad responds not only to the individual needs of testing therapeutic and preventive solution. It is, in fact, the structuring of a true network where purely aesthetic interests, permanent search of meaning, progressive investigations on the complex and deep – sometimes forgotten- affinity between art and life. For a gradual and growing foundation of a science of knowledge, who can linguistically reformulate the common source of various disciplines, it is inevitable to use all media and languages of contemporary technology.
The users of the hitherto unpublished video sharing process for art-therapeutic and preventive function can choose among various sections dedicated to psycho-physical wellness (Art for Care Videoinsight® Hospital), to art care and to emergency relief (Art for Care Videoinsight® Emergency) learning (Art for Care Videoinsight® School), the contribution to sport and competitiveness (Videoinsight® Art for Care Sport) and performance improvement in physical training (Videoinsight® Art for Care Training). The user will have the opportunity to choose the most appropriate video for your needs among a wide range of sub-categories .
The Videoinsight® method is verified and tested in clinical, psychological and medical fields to integrate culture and health in a holistic and interdisciplinary way. Its effectiveness has been demonstrated through objective medical studies and recognized by the international scientific community. The videos – chosen with competence, responsibility and professional ethics on the basis of the viewer’s psychological needs – are the results of many years of selection on the basis of a new specific competence, the Videoinsight® Method, validated by an innovative practice undertaken in the fields of psychotherapy, medicine and contemporary art.
The Videoinsight® App for mobile devices is an important step for the enjoyment of the method. It allows to donate aid, awareness and knowledge, making users independent. It is an ideal complement for all other Videoinsight® programs.
Starting today, Videoinsight® Magazine will focus on a series of video inserted in the innovative world of the App, attempting to advise users on the choices to be made for their needs.
In the Training cathegory, the user can run into an engaging work of video-artist Said Atabekov. Battle for the square (2009) is a video in which it is represented a Kokpar, a sort of equestrian battle of Kazakh atavistic matrix. Two teams of horsemen contend the carcass of a ram, facing a struggle marked by centripetal energies. Colliding freely and chaotically, participants relive a ritual tradition with strong mystical meanings. From the artistic point of view, the work can show, on a symbolic level, certain aspects of discomfort present in the contemporary civilization. From a spiritual point of view, the dead trophy could represent an abandonment of a self-centered concept and the ascension towards a gradual awareness of existence complexity. Rebecca Russo has chosen to include this work within the Videoinsight® system for its strong positive values in the field of psychotherapy and, from today, in App. for the Training section.
The confusion generated by the warriors effectively staged a situation of repetition compulsion. This unconscious process pushes the individual to choose painful or unsatisfaction situations, without realizing that these are actively determined. As repetitions on similar backgrounds, these decisions have a character of obsessive circularity. The work of Atabekov can awaken, on this way, a desire to escape from a series of choisces, that are voted inevitably to failure. This video is useful, therefore, to focus on the real capacity and physical potential of an individual, to comprehend the ideal, existential and professional objectives,.
Also in the Training section,The words and music of Black by Bonnie Prince Billy is a soundtrack for the video ‘Let love be eternal, while it lasts’ (2006). The video-artist Michael Fliri tries to climb a mountain, using adjustable stilts on the snow level, but he is obliged to give up because the stilts have reached the maximum extension. Love is the snow to protect: the protagonist tries to explore it without trample, until its duration will not be canceled in distance. To fill the time with space, in a sublimated nature, in the setting of a romantic landscape, the hero chases an outdated goal: knowledge as matter and form. This video, an authentic representation of the firm purpose of a goal achievement, can relieve the viewer from fears and channel emotions, energies and affections in the acceptance and respect for an activity and, consequently, for existence.

Ivan Fassio

Videoinsight® Magazine 2016|3 | Georges H. Rabbath ‘The Better World’

Videoinsight® Magazine 2016|3 | Georges H. Rabbath ‘The Better World’

Georges H. Rabbath. The Better World
The Time of the Images: A Precise Position for Desire

Videoinsight® Garden, April 11, 2016

In the Videoinsight® Garden of Rebecca Russo, during the artistic-performative and interactive experience titled “The Better World”, the photographer Georges H. Rabbath has literally amplified the relationship with the subject of his own desire, formally and conceptually pentrating the content of the experiment. The result is a fascinating and poetic video series: tableaux vivants, action shots, images of true aspiration for new possibilities.

Creating images that expresse movement is the mode that the conventional representation has always adopted. Founded on the principle of contiguity between character, environment and narrative function instance, its nature links the whole construction to cause and effect chains. Editing will be inevitably hidden, invisible, functional to the story. Actions and gestures by characters will take place in a coherent manner and in accordance with the general set that makes and provides sense and total comprehension. This does not happen only for cinema, in the movies: we can find the same peculiarities in traditional creations: painting and sculpture, photography and theater.

The image, however, that can release time, can emancipate vision from any plot. While in the first case it was all functional to the narrative pretext, now every moment exude a new intuition, open to emptiness, expanded to unlimited space, to long waits, non-places, biological or existential suspended landscapes. The fluidity becomes protagonist, it gives up the composure to the polarities of signifiers: the characters are dispersed into the environment, placing himself in opposition to it, demonstrating their perpetual strangeness.
The creative power loose all linearity power: the narrative offers other utopian solutions. Hence the better world, perception of a way out: not only golden age, but clear and sharp variation and formulation of the future, premonition that self-fulfills.

Captured at the same time, the subject and his labor: the hints of all time spent and the mystery of the birth, the enigma of becoming. This is the aim of the portrait painter, the artist’s battle. The aesthetic practice makes constantly image, it outlines effigies and colors, it cuts through boundaries of universes: writing, music, visual arts, actor’s body or performing agents. This creation has nothing to do with imagination or memories clearly and definitively verbalized, with necessarily sensitive determinations. In contrast, the figure can be understood and perceived in the nakedness of a concept, on the wings of a prediction, in the purity of content, in the suggestion that remains etched within the encephalic depth, plowing into our unconsciousness. Photography, as a transcription of light, gives always to us an illusion of truth, asking for a suspension of disbelief. Although it can not be defined in terms of probability, cause each shot requires a choice and implies a point of view, it needs a prior approval. During the last century, paintings and video art have sucked lighting, assimilated the expressive capacity.

On April 11, 2016, within the Videoinsight® Garden Rebecca Russo, Georges H. Rabbath wandered with his camera lens. All we thought about a classic shooting session, enhanced by the author’s talent, always attentive to reports of improvisation between individuality and environmental, historical, relational circumstances. Participants would have wandered through the charming garden, thinking of their particular and unique idea of a better world in harmony with the requests and supporting structures of the Videoinsight® Method by Rebecca Russo. They should have found a vital equilibrium in a precise point between trees and shrubs and finally they should have let capture the attentive gaze of the artist. Georges himself, however, amplified his experience: he “improved” its relationship with the others, with the subjects of his own desire, penetrating formally and conceptually the content of the experiment. His works have been working on a spaceless time enriched by the movement: the place has become set design, an integral part of the journey in a universe all made by new energy. The fixity of the shot was prolonged into a sequence of few seconds tablaux vivants: Georges has filmed short videos, films that will become, perhaps, series of still images or prints. The result, for now, is the sharing of shorts without plot: the outline that binds them is the desire for a two-way possibility, the perfection of a dialogue made of silence, breath and pure existence.

By Ivan Fassio

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Liceo Germana Erba – Teatro Nuovo Torino – Coreutico e Teatrale

Videoinsight® Foundation launched in 2016 the “Videoinsight® Art for Care School Project” in Secondary School at Liceo Teatro Nuovo in Torino – Liceo Germana Erba,  Coreutico e Teatrale.  Students interacted with videos from Videoinsight® Collection applying the Videoinsight® Method.  Goals for the experience have been the promotion of human resources and health, the prevention of well-being and of psychological discomfort in adolescence, the development of creativity. Videoinsight® improved the mood, stimulated cognitive functions and creativity, improved self confidence and motivation, reduced anxiety, aggressive behavior, fears and negative emotions. The Curator for the project was Giovanna Giovannelli.

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Videoinsight® Magazine April 2016 N.1

Videoinsight® Magazine April 2016 N.1

Videoinsight® Magazine.
The weekly appointment with the Revolutionary Videoinsight Art World:
Aesthetics, Culture, Therapy, Innovation.

As from today, April the 5th 2016, on Tuesdays, Videoinsight® Magazine will be available. This Magazine will be the dedicated Videoinsight® in-depth news page: from the Collection theoretical and aesthetic analysis to information on innovative projects. The articles will be linked to the progress and to the evolutionary and integrative stages of Research on the Method conceived by Rebecca Russo, both at individual and societal level.

The weekly column Videoinsight® Magazine starts as an in-depth publication about theoretical and critical studies on Videoinsight® Foundation, Collection and Method. The goal of each article is the creation of an incitement for a reflection on scientific aesthetic fields, for the disclosure of a thematic topic, for the discovery of the style and work by an Artist of the Collection, the identification of the close relationship between the aims of the Foundation and the contemporary social needs. Our task will be the gradual and final explanation of the Videoinsight® Method characteristics and peculiarities. We will introduce a series of interviews to Rebecca Russo, to the Foundation’s collaborators and to the protagonists of Exhibitions, Events, Projects and Meetings. As much relevance as possible will be devoted to reporting and reviewing Videoinsight® Publications, and to art publishing and scientific Research which are dealing with the method with books, essays, discussions and articles.

Created by collector and psychotherapist Rebecca Russo, the Videoinsight® Foundation is working hard to divulge worldwide the Videoinsight® Method, the Videoinsight® Art for Care Concept and Videoinsight Collection® as new therapeutic solutions to improve quality of life and the global promotion of Well-being. The integration of the Method at all levels of society – without distinction of gender and based on interest in cases of vulnerability (crises, illness, discomfort) and emergency (migration, conflict areas, poverty, natural disasters) – remains the milestones of this mission. Through the program Videoinsight® Art for Care, a variation of Videoinsight® evolutionary practices already applied in all fields of social relations (education, work, sports, health), the method has so far reached the Primary and Secondary Schools, Hospitals (23 Videoinsight® Rooms have already been activated in Health Institutes), the leading centers for Training, Sport and Workout. The selected works for so many site-specific interventions of help, therapy, promotion, and training must respond to a series of essential criteria: ideal Contemporary Art has strong therapeutic connotations, already tested in Medical Research with recognized objective results, certified by the International Scientific Society. For this reason, the works of the Videoinsight® Collection can relax, increase mood, activate healthy resources, treat disease, support the pain, reduce fears, trigger courage for changement and increase confidence and willpower: they can consequently offer new equilibrium and awareness.

The Videoinsight® Foundation is active in the fields of Psychological and Medical Research, too. Following the intentions of the founder, creative practice and aesthetic fruition are processed with the radical recovery of their original value. Art, understood as an objectified personal testimony strictly linked to its own expressive language, can present horizons for investigations in the fields of prevention, diagnostic, curative and rehabilitative areas. As perceptive and linguistic simulation of life, contemporary art comes along a cathartic and evolutionary path, getting through process and transformation dynamics. Similarly, in tight connection with Aesthetics and Medicine peculiarity, Videoinsight® Method is deeply rooted in the original – individual and collective – insights and in the same innovations that support artistic and scientific experiments.

The revolutionary system conceived by Rebecca Russo pursues the aim of the creation of a knowledge science: a rich and meaningful mix of existential experience, biological and artistic creation. This objective which will lay new foundations in order to test innovative interdisciplinary fields for the devewlopments of humanities and sciences.

Ivan Fassio

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Radio Reporter 97

On Monday 4 April 2016 h3 pm Giovanna Giovannelli and Rebecca Russo have been interviewed by Jacopo Pastorino at Radio Reporter 97.it. They presented the ‘The Better World’ event by G.H. Rabbath produced by Videoinsight® Foundation, dated 11 April 2016, realized in the Moon Garden of the Videoinsight® Foundation, involving hundreds of people.

Let’s listen the interview

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